Round Piano Stool Tidy (1888): vintage crochet pattern

Materials

• Crochet cotton or a linen-finished antique crochet cord — the book prints no size and prefers the cord
• Steel crochet hook to suit the thread or cord
• Tapestry needle for the ends
• Hook: Check: the book prints no hook number for this design. It names a hook size only twice in its whole 114 pages — “a long bone hook No. 6” for the Crochet Dress for Child on page 60 and “a crochet hook No. 12” for the Teapot-Cosy on page 98, both of which are in this file. Neither is an 1888 maker's size that reads across to a modern number for anything else. Match the hook to whatever thread or yarn you choose, and change size until the work lies flat.

Abbreviations (US terms)

ch

chain

sl st

slip stitch

sc

single crochet

dc

double crochet

st

stitch

sts

stitches

rep

repeat

sk

skip

sp

space

sh

shell

lp

loop

rnd

round

row

row

Notes before you start

• Source: "Round Piano Stool Tidy", Instructions for Crochet Work, Western Lace Manufacturing Company, 218 State Street, Chicago, Ill., 1888. Public domain in the USA.
• As printed — materials: “The Mats and Tidies as shown in cuts on pages 7, 9, 10, 13, 14, 15, 33, 35, 47, 68, 71, 85, 88, 94, can be made of German crochet cotton or linen finished antique crochet cord. The latter being preferable.” (book page 113); No thread number, hook number or quantity is printed.. Gauge: Not given.
• Modernisation note: Stitches are converted by this book's own printed key, “DESCRIPTION OF TERMS USED IN CROCHET”, book page 5 (image p-011.jpg) — not by the look of the abbreviation and not from the date. The key settles the question outright: this 1888 Chicago book uses MODERN US stitch names, the same ladder our 1891 Butterick uses and the opposite of the British-style ladder in the 1913 to 1916 Priscilla books. Its “Single Crochet” is: “Pass the hook through a loop of the last row, bring cotton through, throw cotton around the needle and pass it through the two loops on the needle.” One pull-up and two loops worked off together — the modern US single crochet, not a British double. Its “Double Crochet” is: “Throw cotton once around the needle, pass the hook through a loop of the preceding row, bring cotton through, then take cotton up and bring it through two loops twice.” One wrap before insertion, three loops worked off two at a time twice — the modern US double crochet, not a US single. Its “Half Double Crochet” is: “Like double crochet, only pass the cotton through the three loops on the needle, instead of passing it through two loops twice.” — the modern US half double. Its “Treble” is: “Throw the cotton twice around the needle, and work as double crochet, but bring cotton through two loops three times.” — the modern US treble. Its “Double Double Crochet” is: “Throw the cotton over the needle three times, work as double crochet, but draw the cotton through two loops four times.” — the modern US double treble, written dtr below. The WRAP COUNTS are the decisive evidence and they are printed rather than inferred: none for single, one for double, two for treble, three for double double, with the loops worked off two at a time in every case. So this book's s. c., d. c., h. d. c., t. and d. d. c. are written sc, dc, hdc, tr and dtr below with no shift of height.
• Modernisation note: Two of the book's terms do NOT map straight across, and both are handled explicitly rather than quietly. Its “Close Chain Stitch” (page 5) is: “Insert the hook in the loop of preceding row, and draw cotton through it and the loop on the needle at the same time.” That is what we call a slip stitch worked into the fabric, and it is written sl st below. Its own “Slip Stitch” (page 6) is a different move — a joining, not a stitch: “This stitch is used in joining. Take the hook from the last loop worked, pass it through the loop where the work has to be joined; then take the first loop spoken of and draw it through.” Where a design uses sl. st. in that joining sense the row below says join with a sl st and keeps the book's own wording; where it plainly means travelling along a chain or a row, the row says sl st. Its “Ribbed Crochet” (page 6) is: “Make a single crochet in the back loop of each stitch of the row last worked. At the end of every row make a chain stitch and turn the work; then begin the next row.” — written sc in blo below.
• Modernisation note: The book prints its own short table, “ABBREVIATIONS USED IN DIRECTIONS”, book page 6 (image p-012.jpg): “l. — Loop. ch. st. — Chain Stitch. cl. ch. st. — Close Chain Stitch. s. c. — Single Crochet. d. c. — Double Crochet. h. d. c. — Half Double Crochet. t. — Treble. d. d. c. — Double Double Crochet. p. — Picot. r. c. — Ribbed Crochet. sl. st. — Slip Stitch.” Note that its letter for treble is a bare “t.”, not “tr.”; several designs also write “T” or “t. c.” for the same stitch, and all three are written tr below. Most designs spell the stitches out in words anyway, and both forms are written in modern shorthand here.
• Modernisation note: The book's wording is written in modern US form: “needle” always means the crochet hook and is written hook; “set the needle into” = insert the hook in; “fill the ring with” = work the stitches into the ring; “miss” = sk; “catch down” and “fasten” = join with a sl st or a sc, according to what the row is doing; “throw the cotton over the needle” = yo; “d. c. 3 times in the same place” is written 3 dc in the same place; “repeat from *” = rep from *. Ordinal row names (“Ist Row”, “2d Row”, “3d Row”) are written Row 1, Row 2, Row 3, and Round where the design works in the round. The book's own spellings are kept in the design names as printed.
• Modernisation note: Several of these designs print as one solid paragraph with no row numbering at all, the new row marked only by the word “turn”. Those are split here into one row or step per line at the book's own “turn”, and the book's own sub-headings (BORDER, SCALLOP FOR TOP OF BOOTEE, For the Heading and so on) are kept as section headings. Stitch order and counts are unchanged and nothing is added.
• Modernisation note: The scanned text of this book carries the usual optical-reading slips, and every figure below was read back against the 220 dpi page image rather than trusted from the scan: the scan's “Ist” is 1st, its “Sth” is 8th, its “LO” and “lO” are 10, its “+” and “-L” standing in place of a number are the figure 4, its “§” is 5, its “Y” and “)” are 9, its “S” inside a number is 8, and its “e”, “¢”, “«” and “@” are all the letter c, so that “d. ec.”, “d. «.”, “cd. c.” and “a. c.” are all d. c. Where the scan and the printed page disagree, the printed page is followed and the disagreement is recorded as a Check note.
• Modernisation note: No gauge is printed for this design. The book prints a gauge exactly once in its whole 114 pages — for the Crochet Dress for Child on page 60, which is in this file — and gives none for any other design. Work a sample and change hook size until the piece lies flat.
• Modernisation note: The book's “Picot” (page 5) is: “Make a chain of a certain number of stitches, and work a single crochet in the first chain stitch.” It warns on page 6 that “Picots can be worked in different ways, which will always be explained in the directions of a pattern”, and the designs below do vary it, so each row keeps the picot exactly as that design prints it rather than standardising them all to one form.
• Modernisation note: The book prints no materials at the head of any design. It gathers them instead into one list at the back, book page 113 (image p-119.jpg), keyed to the page each design appears on rather than to its name. The line covering this design is quoted verbatim in the original materials above. Nothing is invented to fill the gaps that list leaves.
• Modernisation note: No yardage is printed for this design, and none is estimated here.
• Modernisation note: No finished measurement is printed for this design.
• Modernisation note: Check: no colour is printed for this design. The engraving photographs as a plain light thread. White and écru are recorded here as the usual period choices for the thread the book names, not as this design's printed colour.
• Modernisation note: The back-page list covers this design by page: it names the mats and tidies “shown in cuts on pages 7, 9, 10, 13, 14, 15, 33, 35, 47, 68, 71, 85, 88, 94”, and this tidy is the design on page 71.
• Modernisation note: Check: the scan reads the foundation as “Chain $, join in a ring, fill ring with 20 5. e.”; the printed page (book page 71, image p-077.jpg) reads “Chain 8, join in a ring, fill ring with 20 s. c.”, and Row 2 confirms the 20 by doubling it to 40.
• Modernisation note: Check: the scan reads Row 3 as “chain 8, s. ¢ in -+tth stitch of chain”; the page reads “chain 8, s. c. in 4th stitch of chain”.
• Modernisation note: Check: the scan reads Row 9's fill as “these loops fill with 9 s. ¢.”; the page (book page 72, image p-078.jpg) reads 9, which is the 7 of Row 8 plus the 2 the same sentence says to increase.
• Modernisation note: Check: the scan runs Row 15's sentence across a column break — “these loops fill with 7” … “single crochets” with Row 16's opening printed between; the page reads “these loops fill with 7 single crochets”, and the rows are written above in the book's printed order.
• Modernisation note: The book numbers these as Rows even though the tidy is worked in the round and every one of them joins; the printed numbering is kept rather than renumbered to Rounds.
• Modernisation note: Not a reprint of “No. 148.—Piano or Organ Stool Cover” in “Home Work” (1891). That design is six ridged squares of single crochet hung on a circle of 18 singles; this one is a ring of 20 singles built outward in twenty-two rounds of picot loops and shells. The subject collides; the directions do not.